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The Bollywood movie Shaitaan fails to give you feelings of dread and makes you cringe because the movie and the situations that it imagines are truly, naturally terrifying. They are the result of the scenario reaction model that is almost constantly and consistently delivered by captivity dramas and twisted psychological thrillers.

Both of those subgenres are taken and combined in an overly supernatural way in Vikas’ film (With even a scene that has a call-back to Stanley Kubrick’s The Shining). That’s what gives the finished product its blandness.

Shaitaan movie director Vikas Bahl creates some authentic moments in unsettling situations, supported by a delicate idea and compelling performances, but he shockingly shows an upright swing in the battle overs.

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Does Shaitaan Break The Dry Spell of Horror Movies in Bollywood?

Plot of Shaitaan Movie

The narrative is straightforward and at first, seems to have been covered in the 140-second teaser. Ajay and Jyothika portray a metropolitan couple who are having difficulty controlling their street-smart children. While visiting their farmhouse, they meet Vanraaj, a stranger (Madhavan).

 

He presents himself in the beginning as a kind man in need of help, but he quickly reveals his actual identity as a fluent English satanist who has taken possession of their child Janvi (Janaki Bodiwala).

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Their parents witness silently as their once loved and adored daughter turns into a toy of the stranger’s desire. From crying to dancing to laughing to dancing to his tunes to attacking her dad and even trying to injure her younger brother, Vanraaj takes complete control of their daughter and intends to steal her with other younger women to take control of the entire world.

Writing

It is a scene-to-scene remake of the Gujarati film Vash minus the ending. The ending of the film has been changed from what it originally was in the Gujrati film Vash. It was a darker and gruesome ending which would have shocked the Bollywood audiences if it was kept. Sadly, the ending has been changed and it is a more dumbed-down ending which was possibly kept to make it more palatable to the masses.

This change does more harm than good for the film as the ending of the film loses its point of sacrifice and retribution and it is like a forced happy ending.

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Writer Aamil Keeyan Khan captivated critics and audiences with his impressive and meticulous writing in the Hindi adaptation of Drishyam 2, but he failed this time with a weaker and more dumbed-down narrative.

Performances

R Madhavan impresses and steals the show in the film. His slick attitude and unpredictable nature make him all the more menacing and violent in the film and they are sure to give you the shivers to your spine.

 

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Speaking of Ajay Devgn, there are a few scenes when you’d like him to take control of the situation, but he falls victim to the role of a miserable parent. Only at the end of the story do you find him in his authentic element. Shaitaan movie feels more of an extension of his earlier films like Drishyam and Bholaa, so he keeps operating in his comfort zone, nothing new that we know of.

Jyothika and Janaki Bodiwala have done a formidable job with Janaki having to carry out the entire film on her shoulders alongside Madhavan. Jyothika has essayed the role of the loving and caring mother well, perfectly maintaining the balance between her anger and her sadness, sprinkled with despair.

 

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This is where the writing and direction fail her as there is not enough material for her character to thrive and do something about the entire thing. If the original ending had been kept, she would still have made a point and a better conclusion could have been provided for her character, but that did not happen.

Shaitaan - Movie Review - The Austin Chronicle

Janaki Bodiwala is one hell of a performer who tries her best in this movie, she tries her best to showcase the inner anger and frustration of Janvi, even if she is enchanted by Vanraaj. But there is not enough build-up for the character for you to completely empathize and feel sad for her situation. She faces a few hiccups in the emotional scenes and a few other character-oriented scenes. She has a lot of potential and talent, but she needs to polish and practice her skills well to hone them and strike a chord with the audience.

Editing and Technicalities

The first half of the Shaitaan movie is good, the story is established in a quiet fast-paced way, which helps to elevate the narrative without adding to the boredom of audiences. It is only in the second half when things start to go downhill for the film.

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The film loses its cohesive nature, there are too many flashbacks with cuts, much to the dismay of the audiences, and the plot points become incredibly loose and fail to tighten the narrative of the movie which was established so well in the first half.

 

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The VFX team of the film has done a commendable job, with the graphics and CG looking quite authentic and the color grading has also been done with great contrasts and framing. The same cannot be said about the blocking of the actors and shot compositions though. The cuts are too frequent and the reaction shots overburden the scene which makes it lose a lot of its impact. The angles of the shots are quite off as well, which makes it look a bit jarring.

Sound Design

The sound design of the film is done exceptionally well, with the title track of Shaitaan standing out the best. There are only two other songs in the album, but this film is incredibly dependent on the background score, and it is delivered well and it packs the punch well, almost to the extent of covering a few of the loopholes in the narrative and performances and it evokes a sense of empathy for the characters and the kind of chaotic mess they are in.

Ending Thoughts

Shaitaan movie simply fails to deliver because its writers and producers either underestimated their audience’s intelligence, thinking they would not be able to digest the original ending of the film, or were simply unwilling and lazy about fleshing out further details and nuances of the story which would have made the plot worthwhile, but in stark contradiction, the changes in the script make the narrative lackluster and degrade the film in it is entirety, making the whole first half pointless and wasting it’s potential, along with the actors and background score.

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Shaitaan movie is currently running in theatres and will be streaming on Netflix after its theatrical run is over.

Hope you all enjoyed reading the article. For more engaging entertainment and Bollywood updates, follow us on Instagram and Facebook.

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7 Best Indian Sitcoms That Are Worth Watching

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Top 7 Indian Sitcoms

Sitcoms have continuously been a well-known genre among audiences all over the world, and India is no special case. The Indian TV industry has delivered a few of the most famous Indian sitcoms that have engaged and brought giggling to Indian families. They offer a reviving break from the everyday schedule and give much-needed quantities of excitement.

We have compiled a list of some of the most excellent Indian sitcoms that have earned a gigantic fan base and are worth observing.

7 Best Indian Sitcoms That Are Worth Watching

Taarak Mehta Ka Ooltah Chashmah

Tarak mehta ka ulta chasma

Possibly the most popular of all the sitcoms. The show revolves around the lives of families dwelling in a society in Mumbai called Gokuldham. The show creatively incorporates social issues and conveys them with a squeeze of humor. The show’s characters are a representation of a perfect society, with a different bunch of individuals from distinctive societies, religions, and foundations.

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The show is known for its humor and relatable characters. The show has completed more than a decade and is still one of the most-watched and cherished sitcoms in India.

Bhabhiji Ghar Par Hai

Bhabiji Ghar par Hai

The show revolves around the lives of two neighboring couples, the Mishras and the Tiwaris. The show has picked up immense popularity in the years since its initiation. The show is known for its humor and silly circumstances. The show’s characters, like Vibhuti Mishra and Angoori Bhabhi, have ended up being fan favorites. The show was inspired by the 1990s Hindi sitcom Shrimaan Shrimati.

Sarabhai vs Sarabhai

Sarabhai vs sarabhai

Sarabhai vs. Sarabhai could be a cult classic Hindi sitcom circling in the early 2000s. The show spun around the life of an upper-class Gujarati family, the Sarabhais. The show was known for its witty one-liners and entertaining circumstances. The show’s characters, like Maya Sarabhai and Rosesh Sarabhai, are still remembered by the audience for their unique identities. The humor is unpretentious, and the show may be a cult classic among fans.

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Khichdi

khichadi

Khichdi is another classic Hindi sitcom that debuted in the early 2000s. The show revolved around the life of a quirky and broken Gujarati family, the Parekhs. The show was known for its quirky characters and unconventional circumstances. The humor of the appearance is special and relatable. A film based on the show was also released in 2010.

Office Office

Office Office

Office Office may be a parody of the corruption that exists in Indian government workplaces. The show revolves around Mussaddilal, played by Pankaj Kapur, who is continuously stuck within the bureaucratic maze of Indian government workplaces. Each scene showcased how common individuals were betrayed by degenerate officials and how they battled for equity.

F.I.R.

fir

F.I.R. is another sitcom that was a hit with gatherings of people. The show featured Kavita Kaushik as inspector Chandramukhi Chautala, who unraveled different cases with an amusing turn. The show was adored for its droll humor and the camaraderie between the characters.

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Chidiya Ghar

Chidiya Ghar

Chidiya Ghar spins around a retired principal, Kesari Narayan, who lives in a house named Chidiya Ghar along with his family, where everybody is named after a specific creature. Each part has a characteristic that comes about under a few silly circumstances. The show was known for its funniness and characters such as Mayuri, Koyal, and, in particular, Gadha Prasad, whose tricks made most of the snickers within the show.

These sitcoms have captured the hearts of millions of viewers and continue to engage with their ageless humor and relatable characters. They have made us snicker, cry, and feel nostalgic and affectionate for the characters and recollections they have given us.

For more engaging entertainment and Bollywood updates, follow us on Instagram and Facebook.

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12 Awesome Facts about Bollywood Celebs For Your Filmy And Gossipy Soul

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12 Awesome Facts about Bollywood Celebs For Your Filmy And Gossipy Soul

Bollywood superstars are literally worshipped in India for their charm, glamour and rizz. Often they are idolised for the “perfect characters” they play on screen, and in a country like India, most believe in what they are shown on screen. Legit facts about Bollywood celebs are often found but clubbed with rumors or at times as a publicity stunt(Sorry, Poonam Pandey). Ngl, the B-Town gossip may feel weird, but Sunke Mazaa toh ata hai! 

Tabhi toh, why not turn our spy mode on and find some facts about Bollywood celebs just for you? If you are a crazy Bollywood fan or love binge-watching Bigg Boss secretly, this is for you. Presenting to you 12 Awesome Facts about Bollywood Celebs For Your Filmy And Gossipy Soul.

FYI, with these facts about Bollywood celebs, we aren’t spilling any beans. We are obsessed with their interviews!

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Records Todne mein toh Hum Tumhare Baap hai!

Besides being one of the most celebrated families of Bollywood, Big B and son Abhishek Bachchan are in the Guinness Book of World Records for their 2009 movie Paa. History in Indian cinema was indeed created as for the first time a father-son duo played reversed roles.

 

Naam Mein Kya Rakha Hai

Did you know that the Shershah actress, Kiara Advani was first named Alia Advani? She revealed this in an episode of the Kapil Sharma Show. Well, later she changed her name as Salman Khan suggested her to do.

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Did we just miss a Blockbuster?

Before his debut film, Student of the Year, Sidharth Malhotra did a film directed by Anubhav Sinha. Had it not been shelved, the Pippa Munda would have made his entry much earlier.

 

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Saboon mein Khushboon hai, Iss Dil mein ek tu hai!

Though that’s a parody of the Hum Saath Saath Hain title song, the lead and Bhai of Bollywood, Salman Khan is extremely fond of soaps. Yes, you heard it right. Not only does he produce daily soap operas, but Bhai also loves fragrant soap bars.

 

Talented Taapsee

Taapsee Pannu worked as a software engineer before making her film debut and a successful modeling career. She even has a degree in Computer Science Engineering.

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Naam-Kareena

Initially named “Siddhima”, Kareena Kapoor Khan got her name all thanks to Leo Tolstoy and his fiction. While pregnant with her, Kareena Kapoor’s mother read Leo Tolstoy’s Anna Karenina, and that’s when Bebo got her name! This is one of the most intriguing facts about Bollywood Celebs, no cap!

 

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Akshay Hari Om Bhatia

Superstar and fitness freak, Akshay Kumar is quite superstitious irl. Before writing on a paper, he makes sure to head it with “Om”. Man of culture it seems.

 

Age is Just a Number

In a Tamil film, Moondru Mudichu, starred by Rajnikanth, Sridevi was seen to play his stepmom. Well, at that time Sridevi was only 13 years old! 

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The Style Icon

Veteran Actress, Rekha is known to only wear a crimson or chocolate-colored lipstick during her public appearances.

Wait, What?

Deepika Padukone who debuted in the industry with Om Shanti Om, got her first break in a music video titled, ‘Naam Hai Tera’ by none other than Himesh Reshammiya. Well, might be possible that it went unnoticed but would love to see some more such collaborations.

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The Complete Man

One of the World’s top good-looking men, Hrithik Roshan is a huge photography enthusiast and has a big collection of photographs. Even as a child, he would never travel without his camera. 

 

Yeh Pyaar Nahi toh Aur Kya

Indians and their love for movies has always been in the columns. Well, every year the highest number of movie tickets in the world is bought by the Indian audience which is 2.7 billion every year. Since our average ticket price is very low, Bollywood is still a bit behind Hollywood in the revenue game. Koi na Picture abhi baaki hai.

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Well, these were some facts about Bollywood Celebs. But don’t stop from spilling the beans in the comments, if you have got some. Also, let us know in the comments which fact about Bollywood Celebs intrigued you the most!

For more such interesting content, follow us on Instagram and Facebook.

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10 Finest South Indian Films That Showcase The Diversity Of South Indian Cinema

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kalki

An Indian cinephile just cannot afford to miss out on the joy of watching films in any language, whether Hindi, Tamil, Telugu, Malayalam, or Kannada. South Indian films have never failed to meet expectations and have always exceeded them, delivering fascinating and intriguing stories. South Indian films were previously criticised for their over-the-top nature, but now half our best films will be empty if we do not mention South Indian films.

From wonderful stories to exceptional performances, these ten cinematic masterpieces show the range and creativity of South Indian films. Half of these films have already been released and impressed audiences, while the other half promises to showcase something different from the region. Join us as we explore the exciting world of stories that define South Indian films.

10 Finest South Indian Films That Showcase Diversity
Of South Indian Cinema

Jallikattu (2019)

Top 10 South Indian Films: jalabtaru

In an unsettling introduction, this Christian town of short-tempered men is portrayed as a burning herd of overweight carnivores obsessed with their next feast of meat. These contain pork and meat, which are frowned upon or even prohibited in Hindu and Muslim India. Instead, big shafts of hoofed red meat hang aggressively on hooks in the outdoor butcher shop of the grumpy Kalan Varkey (Chemban Vinod Jose). When a large buffalo decides to escape that fate and goes rampant over planted fields, the men of the hamlet are on the hunt, desiring to kill it.

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Lijo Jose Pellissery’s introduction to Jallikattu, with a succession of fast-paced cuts of the major protagonists’ faces and eyes set to a throbbing score intermingled with their controlled breaths, is an unsettling foreshadowing of what’s to come.

Throughout the film, the edits are often too fast to make sense of, giving the impression that you are rushing down the hill in the chase of an unhinged buffalo. It is not an accident, for Lijo’s entire objective here is to disorient, dislocate, and then land a smashing punch on an audience that remains wondering what has just occurred to them.

Jallikattu, not subtly, represents the extreme brutality we have grown used to in the name of being a man. It reflects the sense of masculinity that we have come to accept as a nation. In a story that begins with man against the wild, it isn’t long until man becomes that wild. Jallikattu is often hailed as one of the best South Indian films of all time.

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Jigar thanda Double X (2023)

jigar thanda

Karthik experiments with a lot more dualism in the sequel. To tell a big story, the film unites two completely different worlds: one bursting with shades of orange, red, and brown in the bustling streets of Madurai, and the other soaked in green and orange in the forests of Kombai Sambala.

Karthik Subbaraj released Jigarthanda in 2014, an intriguing meta-gangster film that attempted to combine filmmaking and rowdyism. The film presented the story of a filmmaker who risked his life to make a film about an infamous mobster, and the reliable screenplay was full of surprises and homages to the creative form. After 9 years, a more experienced Karthik returns with Jigarthanda Double X, expanding on everything we identify with the original film.

Karthik’s narrative-heavy sequel combines the inner turmoil of Jigarthanda with the spirit of a spaghetti western, resulting in a political curry western that continuously surprises and is eager to wow with yet another ambitious goal to complete.

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What truly stands out about Jigarthanda Double X is Karthik’s ability to entwine and depict the multiple dualities of the two protagonists as they move between the two universes. The picture alludes to numerous real-life situations, so there’s a lot of fact mixed in with fiction, like in the Quentin Tarantino film Once Upon A Time In Hollywood (2019). There are also parallel frames that separate a gun from a camera and a gun from a weapon of war.

Kirubai is essentially the protagonist, while Caesar is simply a puppet in the situation. Both are narratives of discovering oneself, but one is about conquering fear, while the other is about redeeming the individual from anguish.

Kantara (2022)

kantara

There has been a lot of talk about how Indian cinema has lost connection with its origins and is not finding stories unique to the nation as a whole. This country, with its range of cultures and expansiveness, is an incredible treasure trove of tales. Kantara demonstrates what is possible when an excellent filmmaker decides to bring to life an original story rooted in its very origins and culture, bringing with him the skills and technical elegance of exceptional cinema.

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Kantara is a timeless tale of man versus nature, people versus merchants, and the desire for wealth and property. But it is a lot more complex than that because it effortlessly and seamlessly incorporates parts of South India’s coastal Karnataka culture and mythology into the plot.

Situated amid the rural backdrop of forest products smuggling, actor-producer-Director Rishabh Shetty tells the story of centuries of faith traditions in the coastal region, focusing on the region’s ancestral customs and the enormous backing of the native hamlet concealed in the forest land. He succeeds in methodically conveying a narrative of myths, tales, and superstition, all in his own tongue.

Viduthalai Part 1 (2023)

south movies

In the town of Muthuvel, we’re featuring Kumaresan (Soori), a recruit at a police academy located in a village surrounded by heavy forests near the Tamil Nadu-Karnataka border. Kumaresan, our main character, learns the techniques of the law enforcement officers as well as the Makkal Padai movement led by Perumal, nicknamed Vaathiyaar (Vijay Sethupathi).

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Under the guise of employing hundreds of thousands of disadvantaged individuals, a mining firm, assisted by the authorities in the name of state development, intends to destroy the nature surrounding the village. On the one hand, there are the revolutionaries, who claim to be able to communicate in any language, even violence; on the contrary, we have the authority-led police force, which refers to the separatist organization as a terrorist outfit.

Bramayugam (2024)

south

The visual decision to shoot the entire movie in black and white benefits Bramayugam significantly. The removal of distracting hues and all unnecessary features not only serves to convey to us the very rudimentary 17th-century environment where the film is set but also contributes to the spooky mood that surrounds the run-down family. This idea of simplicity is also represented in the writing, with the majority of the story centered on the three main characters and only a few passages for the two other characters.

The creative depiction of terror in Rahul Sadasivan’s earlier film Bhoothakalam looks to have raised some expectations for Bramayugam. However, this film is intended to be a fantasy/thriller/mystery story with a few somewhat frightening scenes. The apparition of a ‘chaathan’ and a ‘yakshi’ on the screen does little to ease the fear of what is unseen, as we learned in Bhoothakalam.

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Against all of this, the most disturbing part of the film is Potty’s demonic chuckle and deep-throated voice, which are convincingly performed by Mammootty. He approaches the part unlike any other he has portrayed before, though there are hints of Bhaskara Pattelar’s performance in Vidheyan (1994) at times.

Here are most anticipated South Indian Films that are
going to be released in 2024

Pushpa 2: The Rule (2024)

Top 10 South Indian Films: Pushpa 2

Pushpa and Bhanwar Singh’s battle continues in this spectacular conclusion to the two-part South Indian action drama. Pushpa: The Rise—Part 1 was one of the most celebrated films of the year 2021 and had earned over 360 crores.

Indian 2 (2024)

Indian 2 (2024)

Kamal Hassan brings back the franchise of his earlier film, Indian. Senapathy is a former freedom fighter turned vigilante who battles injustice. Senapathy returns to the country to help a young man who has been revealing the corruption in the country through online videos.

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Kaguva (2024)

In 1678, a warrior died as a result of an illness; currently, a girl is conducting a study on the disease that killed the warrior.

Kanguva, also known as Kanguva: A Mighty Valiant Saga, is a forthcoming Indian Tamil-language fantasy adventure movie directed by Siva and developed by K. E. Gnanavel Raja, V. Vamsi Krishna Reddy, and Pramod Uppalapati under the respective banners of Studio Green and UV Creations. The film stars Suriya in six roles, leading an ensemble cast that includes Bobby Deol and Disha Patani (in their Tamil debuts).

Kantara: A Legend Chapter 1 (2024)

Kantara: A Legend Chapter-1 (2024) - Movie | Reviews, Cast & Release Date - BookMyShow

A prequel to the 2022 film Kantara, Kantara 2 is set during the reign of Kadambas of Banavas. Like Kantara, this film will also be directed, produced, and written by Rishabh Shetty. He will also be starring in the lead role.

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Kalki 2898 (2024)

kalki

Starring Prabhas, Deepika Padukone, and Amitabh Bachchan, Kalki 2898 takes place in the aftermath of the apocalypse in the year 2898. It is about the possible future appearance of Kalki, Vishnu’s tenth and last avatar. Kalki 2898 is the most anticipated South Indian movie of the year 2024.

For more engaging entertainment and South Indian film updates, follow us on Instagram and Facebook.

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