10 Bollywood Actresses Who Changed The Face of Indian Cinema
10 Bollywood Actresses Who Changed The Face of Indian Cinema
There was a time when Bollywood Actresses were considered a second fiddle to the protagonist and were typecasted for being the “Heroine” of the film. But this was not going to last, as there were times when the actresses stole the thunder from the actors, which introduced the possibility of them portraying a character-driven role, instead of being only a second fiddle. Bollywood Actresses have always proved naysayers wrong with their terrific performances.
But this journey has not been a bed of roses as there have been a lot of hardships that they have had to endure and overcome, starting from pay disparities to mistreatment on sets to not having material for a particular role, but these wonder women from Bollywood have always refused to give up, and have risen from the ashes like a phoenix.
Today, we are going to look at some of these wonderful Bollywood Actresses who changed the face of Indian Cinema.
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Nutan
Nutan Samarth came into the world on June 4, 1936, to poet Kumarsen Samarth with his actress wife ‘Shobhana’ as the oldest of their four children. Her parents parted when she was just a little child. Nutan, 13, made her acting debut in K. Asif’s “Hamari Beti”. She was also a beauty queen, crowned Miss Mussorie in 1952.
Success at such an early age proved difficult, and Nutan briefly gave up shooting in the 1950s to relocate to Switzerland. She came back wedded Commander Rajnish Bahl, and entered the most innovative and prosperous period of her career. She established herself as a strong actress who could play comedy, drama, and romance equally well.
Shabana Azmi
Shabana Azmi (together with the late Smita Patil) comprised several of the prominent Bollywood Actresses who ruled the films of India’s “Parallel Cinema” during the 1970s and 1980s.
Shabana Azmi, the daughter of noted Urdu innovative writer and lyricist Kaifi Azmi and theatre actress Shaukat Azmi, has appeared in films directed by nearly all of India’s most famous art-house directors, including Shyam Benegal, Satyajit Ray, Mrinal Sen, Aparna Sen, and others, as well as a commercial and arthouse Indie Hindi films, where she has played several strong female characters (for example, in The Death Sentence: Mrityu Dand (1997) and Godmother (1999)).
Vidya Balan
She is known for pioneering a shift in the image of women in Hindi cinema with her performances in female-led films, and she has received numerous prizes, including a National Film Award and seven Filmfare prizes. In 2014, the Indian government awarded her the Padma Shri.
Despite having been turned down by a Tamil producer, she fought until she received her first breakthrough with a Malayalam film Chakram with Mohanlal; however, the production was put on hold which meant she was forced to wait until 1998 to make her debut in a Surf Excel advertisement.
She went on to participate in several ads directed by Pradeep Sarkar. She completed over 90 such advertisements. Despite these hardships, she managed to win the battle and starred in amazing films such as Kahaani, Bhool Bhulaiyya, Ishqiya and Parineeta.
Konkona Sen Sharma
Konkona Sen Sharma is an award-winning Bollywood actress and the daughter of renowned actress and director Aparna Sen. Konkona is considered one of Bollywood’s most acclaimed actresses, with outstanding performances ranging from Mr. and Mrs. Iyer (2002) to Page 3 (2005), Omkara (2006), and Life in a Metro (2007).
Her exceptionally excellent performance as a struggling actress in the indisputable hit Luck by Chance (2009), with Farhan Akhtar, cemented her financial success. Nikhat Kazmi of the Times of India praised her performance in the film, writing,
“The high point of the film is its performances, Konkona is a complete natural before the camera”.
Alia Bhatt
Alia Bhatt was born on March 15, 1993, to Bollywood actress Soni Razdan and director-producer Mahesh Bhatt. She has received numerous awards, including one National Award, six Filmfare Awards, and three IIFA Awards.
Bhatt is among the highest-paid Bollywood actresses in India. She has appeared on Forbes India’s Celebrity 100 list since 2014, and Forbes Asia’s 30 Under 30 list in 2017. She is considered the best actress of Contemporary Bollywood by many.
Her illustrious career includes films like Highway, Gangubai Kathiawadi, Raazi, Dear Zindagi, and Gully Boy.
Manisha Koirala
Manisha Koirala was born on August 16, 1970. She is a Nepalese actress most known for her work in Bollywood, but she has also appeared in films from South India and her own country. Koirala, noted for her skills as an actor, has received numerous awards, including four Filmfare Awards, and is one of India’s most famous actors.
Critics have noticed that her specialty as an actress remains unaffected by her commercial success.
A brief stint in advertising led to a career in film, where she made her debut in Bollywood with the highest-grossing film Saudagar (1991). Despite her initial struggles to make a name for herself, she rose to prominence in the 1990s with films such as 1942: A Love Story (1994), Akele Hum Akele Tum (1995), Agni Sakshi (1996), and Gupt (1997).
Koirala was particularly recognized for her openness to play around with many powerful, passionate roles, while she gave several celebrated performances in a variety of films that performed well with critics, including Bombay (1995), Khamoshi: The Musical (1996), Dil Se.. (1998), Mann (1999), Lajja (2001), Company (2002), and Escape from Taliban (2003).
Dimple Kapadia
Dimple was born in a Gujrati-speaking household on June 8, 1957, as the daughter of businessmen Chunnibhai and Betty. She has a younger sibling, a sibling, Simple, that was born on August 15, 1958. Raj Kapoor discovered her and cast her alongside his son Rishi in the 1973 blockbuster Bang Bobby. Rishi and her stars sprang to fame overnight; she was only 16 years old at the point of the film’s release.
Dimple, an enormous supporter of super-star Rajesh Khanna, encountered and married him exactly 6 months before the debut of Bobby. Rajesh was fifteen years older than her. She stopped working in film after her marriage.
But, as of now, she has started acting again, experimenting even now, with all of her roles brief from one another.
Sharmila Tagore
Sharmila Tagore is a Bengali actress who has found recognition in Hindi films produced by Bollywood. Sharmila Tagore’s past relative was the famous Rabindranath Tagore. Sharmila married the well-known Indian cricketer Mansoor Ali Khan, and their marriage has remained intact. Sharmila has a son and two daughters.
Her son is Bollywood star Saif Ali Khan, and she has two daughters, Saba and Soha. Daughter Soha has also recently made her Bollywood debut.
Sharmila is the grandmother of two children, Sara Ali Khan and Ibrahim Ali Khan, Taimur and Jeh. Her daughter-in-law is Amrita Singh, a well-known Bollywood actress, and Kareena Kapoor.
Waheeda Rehman
She starred alongside Kamaljit Singh in Shagun and later engaged him on April 27, 1974, and relocated to his property in Bangalore. She then gave birth to a son, Sohail, and a daughter, Kashvi. She rejected offers after 1991 because she was unhappy with the parts she was offered.
When Kamaljit fell unwell, she and her family relocated to ‘Sahil’, near Bandra Bandstand in Bombay. Kamaljit died on November 21, 2000. Sohail holds an M.B.A. and works in a private limited company, whereas Kashvi is a jewelry designer. Following her husband’s death in 2002, she appeared in seven films.
Tabu
Tabu is a Bollywood actress who has acted primarily in Hindi films, but she has also appeared in Telugu, Tamil, Malayalam, Marathi, and Bengali films, as well as one American film. She has received two National Film Awards for Best Actress and four Filmfare Critics Awards for Best Female Performer.
With a few notable exceptions, she is mainly known for her roles in artsy, low-budget films that receive more critical acclaim than significant box-office returns.
Her appearances in profitable films were rare and minor, including Border (1997), Saajan Chale Sasural (1996), Biwi No. 1 (1999), and Hum Saath-Saath Hain (1999). Her best-known performances are Maachis (1996), Virasat (1997), Hu Tu Tu (1999), Astitva (2000), Chandni Bar (2001), Maqbool (2003), and Cheeni Kum (2007). Her key part in Mira Nair’s American film The Namesake (2006) has also received high recognition.
Entertainment
7 Best Indian Sitcoms That Are Worth Watching
Sitcoms have continuously been a well-known genre among audiences all over the world, and India is no special case. The Indian TV industry has delivered a few of the most famous Indian sitcoms that have engaged and brought giggling to Indian families. They offer a reviving break from the everyday schedule and give much-needed quantities of excitement.
We have compiled a list of some of the most excellent Indian sitcoms that have earned a gigantic fan base and are worth observing.
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7 Best Indian Sitcoms That Are Worth Watching
Taarak Mehta Ka Ooltah Chashmah
Possibly the most popular of all the sitcoms. The show revolves around the lives of families dwelling in a society in Mumbai called Gokuldham. The show creatively incorporates social issues and conveys them with a squeeze of humor. The show’s characters are a representation of a perfect society, with a different bunch of individuals from distinctive societies, religions, and foundations.
The show is known for its humor and relatable characters. The show has completed more than a decade and is still one of the most-watched and cherished sitcoms in India.
Bhabhiji Ghar Par Hai
The show revolves around the lives of two neighboring couples, the Mishras and the Tiwaris. The show has picked up immense popularity in the years since its initiation. The show is known for its humor and silly circumstances. The show’s characters, like Vibhuti Mishra and Angoori Bhabhi, have ended up being fan favorites. The show was inspired by the 1990s Hindi sitcom Shrimaan Shrimati.
Sarabhai vs Sarabhai
Sarabhai vs. Sarabhai could be a cult classic Hindi sitcom circling in the early 2000s. The show spun around the life of an upper-class Gujarati family, the Sarabhais. The show was known for its witty one-liners and entertaining circumstances. The show’s characters, like Maya Sarabhai and Rosesh Sarabhai, are still remembered by the audience for their unique identities. The humor is unpretentious, and the show may be a cult classic among fans.
Khichdi
Khichdi is another classic Hindi sitcom that debuted in the early 2000s. The show revolved around the life of a quirky and broken Gujarati family, the Parekhs. The show was known for its quirky characters and unconventional circumstances. The humor of the appearance is special and relatable. A film based on the show was also released in 2010.
Office Office
Office Office may be a parody of the corruption that exists in Indian government workplaces. The show revolves around Mussaddilal, played by Pankaj Kapur, who is continuously stuck within the bureaucratic maze of Indian government workplaces. Each scene showcased how common individuals were betrayed by degenerate officials and how they battled for equity.
F.I.R.
F.I.R. is another sitcom that was a hit with gatherings of people. The show featured Kavita Kaushik as inspector Chandramukhi Chautala, who unraveled different cases with an amusing turn. The show was adored for its droll humor and the camaraderie between the characters.
Chidiya Ghar
Chidiya Ghar spins around a retired principal, Kesari Narayan, who lives in a house named Chidiya Ghar along with his family, where everybody is named after a specific creature. Each part has a characteristic that comes about under a few silly circumstances. The show was known for its funniness and characters such as Mayuri, Koyal, and, in particular, Gadha Prasad, whose tricks made most of the snickers within the show.
These sitcoms have captured the hearts of millions of viewers and continue to engage with their ageless humor and relatable characters. They have made us snicker, cry, and feel nostalgic and affectionate for the characters and recollections they have given us.
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Entertainment
12 Awesome Facts about Bollywood Celebs For Your Filmy And Gossipy Soul
Bollywood superstars are literally worshipped in India for their charm, glamour and rizz. Often they are idolised for the “perfect characters” they play on screen, and in a country like India, most believe in what they are shown on screen. Legit facts about Bollywood celebs are often found but clubbed with rumors or at times as a publicity stunt(Sorry, Poonam Pandey). Ngl, the B-Town gossip may feel weird, but Sunke Mazaa toh ata hai!
Tabhi toh, why not turn our spy mode on and find some facts about Bollywood celebs just for you? If you are a crazy Bollywood fan or love binge-watching Bigg Boss secretly, this is for you. Presenting to you 12 Awesome Facts about Bollywood Celebs For Your Filmy And Gossipy Soul.
FYI, with these facts about Bollywood celebs, we aren’t spilling any beans. We are obsessed with their interviews!
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Records Todne mein toh Hum Tumhare Baap hai!
Besides being one of the most celebrated families of Bollywood, Big B and son Abhishek Bachchan are in the Guinness Book of World Records for their 2009 movie Paa. History in Indian cinema was indeed created as for the first time a father-son duo played reversed roles.
Naam Mein Kya Rakha Hai
Did you know that the Shershah actress, Kiara Advani was first named Alia Advani? She revealed this in an episode of the Kapil Sharma Show. Well, later she changed her name as Salman Khan suggested her to do.
Did we just miss a Blockbuster?
Before his debut film, Student of the Year, Sidharth Malhotra did a film directed by Anubhav Sinha. Had it not been shelved, the Pippa Munda would have made his entry much earlier.
Saboon mein Khushboon hai, Iss Dil mein ek tu hai!
Though that’s a parody of the Hum Saath Saath Hain title song, the lead and Bhai of Bollywood, Salman Khan is extremely fond of soaps. Yes, you heard it right. Not only does he produce daily soap operas, but Bhai also loves fragrant soap bars.
Talented Taapsee
Taapsee Pannu worked as a software engineer before making her film debut and a successful modeling career. She even has a degree in Computer Science Engineering.
Naam-Kareena
Initially named “Siddhima”, Kareena Kapoor Khan got her name all thanks to Leo Tolstoy and his fiction. While pregnant with her, Kareena Kapoor’s mother read Leo Tolstoy’s Anna Karenina, and that’s when Bebo got her name! This is one of the most intriguing facts about Bollywood Celebs, no cap!
Akshay Hari Om Bhatia
Superstar and fitness freak, Akshay Kumar is quite superstitious irl. Before writing on a paper, he makes sure to head it with “Om”. Man of culture it seems.
Age is Just a Number
In a Tamil film, Moondru Mudichu, starred by Rajnikanth, Sridevi was seen to play his stepmom. Well, at that time Sridevi was only 13 years old!
The Style Icon
Veteran Actress, Rekha is known to only wear a crimson or chocolate-colored lipstick during her public appearances.
Wait, What?
Deepika Padukone who debuted in the industry with Om Shanti Om, got her first break in a music video titled, ‘Naam Hai Tera’ by none other than Himesh Reshammiya. Well, might be possible that it went unnoticed but would love to see some more such collaborations.
The Complete Man
One of the World’s top good-looking men, Hrithik Roshan is a huge photography enthusiast and has a big collection of photographs. Even as a child, he would never travel without his camera.
Yeh Pyaar Nahi toh Aur Kya
Indians and their love for movies has always been in the columns. Well, every year the highest number of movie tickets in the world is bought by the Indian audience which is 2.7 billion every year. Since our average ticket price is very low, Bollywood is still a bit behind Hollywood in the revenue game. Koi na Picture abhi baaki hai.
Well, these were some facts about Bollywood Celebs. But don’t stop from spilling the beans in the comments, if you have got some. Also, let us know in the comments which fact about Bollywood Celebs intrigued you the most!
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Entertainment
10 Finest South Indian Films That Showcase The Diversity Of South Indian Cinema
An Indian cinephile just cannot afford to miss out on the joy of watching films in any language, whether Hindi, Tamil, Telugu, Malayalam, or Kannada. South Indian films have never failed to meet expectations and have always exceeded them, delivering fascinating and intriguing stories. South Indian films were previously criticised for their over-the-top nature, but now half our best films will be empty if we do not mention South Indian films.
From wonderful stories to exceptional performances, these ten cinematic masterpieces show the range and creativity of South Indian films. Half of these films have already been released and impressed audiences, while the other half promises to showcase something different from the region. Join us as we explore the exciting world of stories that define South Indian films.
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10 Finest South Indian Films That Showcase Diversity
Of South Indian Cinema
Jallikattu (2019)
In an unsettling introduction, this Christian town of short-tempered men is portrayed as a burning herd of overweight carnivores obsessed with their next feast of meat. These contain pork and meat, which are frowned upon or even prohibited in Hindu and Muslim India. Instead, big shafts of hoofed red meat hang aggressively on hooks in the outdoor butcher shop of the grumpy Kalan Varkey (Chemban Vinod Jose). When a large buffalo decides to escape that fate and goes rampant over planted fields, the men of the hamlet are on the hunt, desiring to kill it.
Lijo Jose Pellissery’s introduction to Jallikattu, with a succession of fast-paced cuts of the major protagonists’ faces and eyes set to a throbbing score intermingled with their controlled breaths, is an unsettling foreshadowing of what’s to come.
Throughout the film, the edits are often too fast to make sense of, giving the impression that you are rushing down the hill in the chase of an unhinged buffalo. It is not an accident, for Lijo’s entire objective here is to disorient, dislocate, and then land a smashing punch on an audience that remains wondering what has just occurred to them.
Jallikattu, not subtly, represents the extreme brutality we have grown used to in the name of being a man. It reflects the sense of masculinity that we have come to accept as a nation. In a story that begins with man against the wild, it isn’t long until man becomes that wild. Jallikattu is often hailed as one of the best South Indian films of all time.
Jigar thanda Double X (2023)
Karthik experiments with a lot more dualism in the sequel. To tell a big story, the film unites two completely different worlds: one bursting with shades of orange, red, and brown in the bustling streets of Madurai, and the other soaked in green and orange in the forests of Kombai Sambala.
Karthik Subbaraj released Jigarthanda in 2014, an intriguing meta-gangster film that attempted to combine filmmaking and rowdyism. The film presented the story of a filmmaker who risked his life to make a film about an infamous mobster, and the reliable screenplay was full of surprises and homages to the creative form. After 9 years, a more experienced Karthik returns with Jigarthanda Double X, expanding on everything we identify with the original film.
Karthik’s narrative-heavy sequel combines the inner turmoil of Jigarthanda with the spirit of a spaghetti western, resulting in a political curry western that continuously surprises and is eager to wow with yet another ambitious goal to complete.
What truly stands out about Jigarthanda Double X is Karthik’s ability to entwine and depict the multiple dualities of the two protagonists as they move between the two universes. The picture alludes to numerous real-life situations, so there’s a lot of fact mixed in with fiction, like in the Quentin Tarantino film Once Upon A Time In Hollywood (2019). There are also parallel frames that separate a gun from a camera and a gun from a weapon of war.
Kirubai is essentially the protagonist, while Caesar is simply a puppet in the situation. Both are narratives of discovering oneself, but one is about conquering fear, while the other is about redeeming the individual from anguish.
Kantara (2022)
There has been a lot of talk about how Indian cinema has lost connection with its origins and is not finding stories unique to the nation as a whole. This country, with its range of cultures and expansiveness, is an incredible treasure trove of tales. Kantara demonstrates what is possible when an excellent filmmaker decides to bring to life an original story rooted in its very origins and culture, bringing with him the skills and technical elegance of exceptional cinema.
Kantara is a timeless tale of man versus nature, people versus merchants, and the desire for wealth and property. But it is a lot more complex than that because it effortlessly and seamlessly incorporates parts of South India’s coastal Karnataka culture and mythology into the plot.
Situated amid the rural backdrop of forest products smuggling, actor-producer-Director Rishabh Shetty tells the story of centuries of faith traditions in the coastal region, focusing on the region’s ancestral customs and the enormous backing of the native hamlet concealed in the forest land. He succeeds in methodically conveying a narrative of myths, tales, and superstition, all in his own tongue.
Viduthalai Part 1 (2023)
In the town of Muthuvel, we’re featuring Kumaresan (Soori), a recruit at a police academy located in a village surrounded by heavy forests near the Tamil Nadu-Karnataka border. Kumaresan, our main character, learns the techniques of the law enforcement officers as well as the Makkal Padai movement led by Perumal, nicknamed Vaathiyaar (Vijay Sethupathi).
Under the guise of employing hundreds of thousands of disadvantaged individuals, a mining firm, assisted by the authorities in the name of state development, intends to destroy the nature surrounding the village. On the one hand, there are the revolutionaries, who claim to be able to communicate in any language, even violence; on the contrary, we have the authority-led police force, which refers to the separatist organization as a terrorist outfit.
Bramayugam (2024)
The visual decision to shoot the entire movie in black and white benefits Bramayugam significantly. The removal of distracting hues and all unnecessary features not only serves to convey to us the very rudimentary 17th-century environment where the film is set but also contributes to the spooky mood that surrounds the run-down family. This idea of simplicity is also represented in the writing, with the majority of the story centered on the three main characters and only a few passages for the two other characters.
The creative depiction of terror in Rahul Sadasivan’s earlier film Bhoothakalam looks to have raised some expectations for Bramayugam. However, this film is intended to be a fantasy/thriller/mystery story with a few somewhat frightening scenes. The apparition of a ‘chaathan’ and a ‘yakshi’ on the screen does little to ease the fear of what is unseen, as we learned in Bhoothakalam.
Against all of this, the most disturbing part of the film is Potty’s demonic chuckle and deep-throated voice, which are convincingly performed by Mammootty. He approaches the part unlike any other he has portrayed before, though there are hints of Bhaskara Pattelar’s performance in Vidheyan (1994) at times.
Here are most anticipated South Indian Films that are
going to be released in 2024
Pushpa 2: The Rule (2024)
Pushpa and Bhanwar Singh’s battle continues in this spectacular conclusion to the two-part South Indian action drama. Pushpa: The Rise—Part 1 was one of the most celebrated films of the year 2021 and had earned over 360 crores.
Indian 2 (2024)
Kamal Hassan brings back the franchise of his earlier film, Indian. Senapathy is a former freedom fighter turned vigilante who battles injustice. Senapathy returns to the country to help a young man who has been revealing the corruption in the country through online videos.
Kaguva (2024)
In 1678, a warrior died as a result of an illness; currently, a girl is conducting a study on the disease that killed the warrior.
Kanguva, also known as Kanguva: A Mighty Valiant Saga, is a forthcoming Indian Tamil-language fantasy adventure movie directed by Siva and developed by K. E. Gnanavel Raja, V. Vamsi Krishna Reddy, and Pramod Uppalapati under the respective banners of Studio Green and UV Creations. The film stars Suriya in six roles, leading an ensemble cast that includes Bobby Deol and Disha Patani (in their Tamil debuts).
Kantara: A Legend Chapter 1 (2024)
A prequel to the 2022 film Kantara, Kantara 2 is set during the reign of Kadambas of Banavas. Like Kantara, this film will also be directed, produced, and written by Rishabh Shetty. He will also be starring in the lead role.
Kalki 2898 (2024)
Starring Prabhas, Deepika Padukone, and Amitabh Bachchan, Kalki 2898 takes place in the aftermath of the apocalypse in the year 2898. It is about the possible future appearance of Kalki, Vishnu’s tenth and last avatar. Kalki 2898 is the most anticipated South Indian movie of the year 2024.
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