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Here are some problematic Bollywood movies that have made fat shaming common.

Fat shaming and weight-based humor are always problematic. You might say – what is the harm in having a little fun with friends or siblings? Yes, right. Light humor among those you know is not too harmful, only if the subject is comfortable. But when you put it on the big screen for millions to watch and normalize it – then it becomes problematic. And Bollywood has given us a LOT of examples – from telling a friend that she would not find a lover because she is fat to dedicating an entire song to weight! Let us read about some of them.

Problematic Fat Shaming In Bollywood Movies That We Didn’t Need

Kal Ho Na Ho

Kal Ho Na Ho: Sweetu

Kal Ho Na Ho might be everyone’s favorite movie, but the fat shaming made it problematic. Imagine your best friend – the one you look up to for everything – telling you that you would not get any guy as long as you are fat. This might be a comedy scene in the movie where Naina tells her best friend, Sweetu, that she is incapable of being loved because of her weight, but the plight of people getting affected by this in real life is serious. Additionally, Sweetu’s sister calls her a double-decker bus, which can negatively impact people’s minds.

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Kabir Singh

Kabir Singh

This movie has a lot of problems in the name and disguise of love, and of course, fat shaming is one of them. In this movie, the protagonist, Kabir (played by Shahid Kapoor), tells her lady love to make friends with ‘fat chicks’ because apparently – beautiful girls and fat girls are the best combinations of friends! Why? Because in his world, these fat girls are not good-looking and would take better care of a good-looking girl in their group. These fat chicks are not humans but ‘teddy bears’ to him. Such blatant body shaming, as well as an insult to female friendships, was uncalled for.

Bodyguard

Bodyguard - Tsunami Singh

Using overweight people for comic relief and pulling laughter from the audience? Yes, not a new concept to Bollywood. In Bodyguard, Tsunami Singh is seen struggling to catch a bus – because how do fat people run. As soon as he starts to half-walk half-run, he falls miserably face-front on the ground. A lady on the bus goes into full-fat shaming mode while pushing him and labeling him as a fatso. This can be seen as a little harmless fun on screen – but can be quite traumatic when faced by people in real life.

Ghoomketu

Ghoomketu

In what is termed a terrible twist of fate, the protagonist in this movie gets accidentally married off to an overweight girl. He is so upset that he refuses to look at her for days after the marriage. He avoids her and is actually ‘scared’ of her due to her weight. Even more problematic is that we do not get to see the girl’s face until – brace yourselves for this – she transforms into a skinny person and is suddenly very attractive to the husband! Umm okay, attraction is personal – but when will movies stop treating overweight people as hideous and repulsive?

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Diljale

Believe it or not, this movie actually has an entire song of approximately six minutes dedicated to fat shaming. The protagonist, played by Ajay Devgn, is seen running away from kissing an overweight girl while their friends keep pushing them closer. Oh, and unsurprisingly the overweight girl is not attractive enough for him, and he keeps chanting ‘ho nahin sakta’. As everyone laughs, we can feel the agony trickle down the foreheads of people who have actually been affected by this in real life.

Kabhie Khushi Kabhie Gham

Kabhie Khushi Kabhie Gham LADDOO

Okay, we understand – siblings are actually born to just tease and taunt each other throughout the course of life. However, it becomes somewhat problematic when fat-shaming young kids get normalized on the big screen. During the entire first half of the movie, Rohan is seen being fat-shamed by his elder brother, and someone or the other always pulls food away from his hands. He even has a few nicknames – laddoo, kaddu and fatty (no surprises here!). And the sad part is that all of this came from the person this kid always looked up to.

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Dil

Dil

Why Bollywood movies consider kissing an overweight girl as a punishment of the highest degree is beyond us. Moreover, this person is almost always shown as unhygienic and cringy to make this idea more disgusting to the person this ‘punishment’ is being awarded to and the audience. Dil follows in the same footsteps. In this movie, Raja is supposed to kiss this girl if he loses a match. This should not be a punishment, right? But in the world of Bollywood, this very idea is repulsive if the person is overweight.

Mission Mangal

Mission Mangal: varsha

No fat shaming jokes are not a passe, and they are still very much popular in the movies of today. In Mission Mangal, project director Tara Shinde discusses the professional capabilities of a satellite designer Varsha with one of her scientist colleagues. Guess what seeps casually into this work talk? Yes, weight-based humor. After disapproval, she still does not correct herself and indulges in self-deprecation. This movie was released in 2019. Can we stop with such ‘jokes’ now? They are not even funny.

Judwaa 2

Judwaa 2: Police Women

What is with fat people being unable to run? Yes, they can. And they can run fast too. In Judwaa 2, we see a policewoman unable to run and catch the protagonist because she is overweight. This movie has a range of problematic sequences, and it is no surprise that an attempt at comic relief has been made by introducing an overweight person and stereotyping what they can and cannot do. Movies like these make us believe that we are still nowhere closer to getting rid of this problematic humor.

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Ujda Chaman

Ujda Chaman

Ujda Chaman has a good message – it addresses bald men’s insecurities and informs people on how not to add on to them. However, while fighting one issue, they still manage to add on to the insecurities of overweight people AND the people who are disabled. In this movie, Chaman only realizes that he loves his overweight wife after seeing his colleague’s mute wife. Just how problematic is that? Were we supposed to laugh?

This was our list of problematic Bollywood movies that have blatantly used fat people for jokes – as if their very existence were funny. We know this got real bad when Parineeti Chopra was given a trophy for losing weight! Style Icon of the Year, apparently. This article aims to call out films with such deprecating humor because it is high time we stop making fun based on how a person looks.

There are still a hundred such examples out there! Tell us in the comments below if you have recently come across any such problematic Bollywood movies.

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Also, read:

Problematic Bollywood Hindi Movie Song Lyrics Which We Can Never Make Peace With

Wrong Lessons That Taarak Mehta Ka Ooltah Chashmah Teaches Us

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7 Best Indian Sitcoms That Are Worth Watching

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Top 7 Indian Sitcoms

Sitcoms have continuously been a well-known genre among audiences all over the world, and India is no special case. The Indian TV industry has delivered a few of the most famous Indian sitcoms that have engaged and brought giggling to Indian families. They offer a reviving break from the everyday schedule and give much-needed quantities of excitement.

We have compiled a list of some of the most excellent Indian sitcoms that have earned a gigantic fan base and are worth observing.

7 Best Indian Sitcoms That Are Worth Watching

Taarak Mehta Ka Ooltah Chashmah

Tarak mehta ka ulta chasma

Possibly the most popular of all the sitcoms. The show revolves around the lives of families dwelling in a society in Mumbai called Gokuldham. The show creatively incorporates social issues and conveys them with a squeeze of humor. The show’s characters are a representation of a perfect society, with a different bunch of individuals from distinctive societies, religions, and foundations.

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The show is known for its humor and relatable characters. The show has completed more than a decade and is still one of the most-watched and cherished sitcoms in India.

Bhabhiji Ghar Par Hai

Bhabiji Ghar par Hai

The show revolves around the lives of two neighboring couples, the Mishras and the Tiwaris. The show has picked up immense popularity in the years since its initiation. The show is known for its humor and silly circumstances. The show’s characters, like Vibhuti Mishra and Angoori Bhabhi, have ended up being fan favorites. The show was inspired by the 1990s Hindi sitcom Shrimaan Shrimati.

Sarabhai vs Sarabhai

Sarabhai vs sarabhai

Sarabhai vs. Sarabhai could be a cult classic Hindi sitcom circling in the early 2000s. The show spun around the life of an upper-class Gujarati family, the Sarabhais. The show was known for its witty one-liners and entertaining circumstances. The show’s characters, like Maya Sarabhai and Rosesh Sarabhai, are still remembered by the audience for their unique identities. The humor is unpretentious, and the show may be a cult classic among fans.

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Khichdi

khichadi

Khichdi is another classic Hindi sitcom that debuted in the early 2000s. The show revolved around the life of a quirky and broken Gujarati family, the Parekhs. The show was known for its quirky characters and unconventional circumstances. The humor of the appearance is special and relatable. A film based on the show was also released in 2010.

Office Office

Office Office

Office Office may be a parody of the corruption that exists in Indian government workplaces. The show revolves around Mussaddilal, played by Pankaj Kapur, who is continuously stuck within the bureaucratic maze of Indian government workplaces. Each scene showcased how common individuals were betrayed by degenerate officials and how they battled for equity.

F.I.R.

fir

F.I.R. is another sitcom that was a hit with gatherings of people. The show featured Kavita Kaushik as inspector Chandramukhi Chautala, who unraveled different cases with an amusing turn. The show was adored for its droll humor and the camaraderie between the characters.

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Chidiya Ghar

Chidiya Ghar

Chidiya Ghar spins around a retired principal, Kesari Narayan, who lives in a house named Chidiya Ghar along with his family, where everybody is named after a specific creature. Each part has a characteristic that comes about under a few silly circumstances. The show was known for its funniness and characters such as Mayuri, Koyal, and, in particular, Gadha Prasad, whose tricks made most of the snickers within the show.

These sitcoms have captured the hearts of millions of viewers and continue to engage with their ageless humor and relatable characters. They have made us snicker, cry, and feel nostalgic and affectionate for the characters and recollections they have given us.

For more engaging entertainment and Bollywood updates, follow us on Instagram and Facebook.

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12 Awesome Facts about Bollywood Celebs For Your Filmy And Gossipy Soul

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12 Awesome Facts about Bollywood Celebs For Your Filmy And Gossipy Soul

Bollywood superstars are literally worshipped in India for their charm, glamour and rizz. Often they are idolised for the “perfect characters” they play on screen, and in a country like India, most believe in what they are shown on screen. Legit facts about Bollywood celebs are often found but clubbed with rumors or at times as a publicity stunt(Sorry, Poonam Pandey). Ngl, the B-Town gossip may feel weird, but Sunke Mazaa toh ata hai! 

Tabhi toh, why not turn our spy mode on and find some facts about Bollywood celebs just for you? If you are a crazy Bollywood fan or love binge-watching Bigg Boss secretly, this is for you. Presenting to you 12 Awesome Facts about Bollywood Celebs For Your Filmy And Gossipy Soul.

FYI, with these facts about Bollywood celebs, we aren’t spilling any beans. We are obsessed with their interviews!

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Records Todne mein toh Hum Tumhare Baap hai!

Besides being one of the most celebrated families of Bollywood, Big B and son Abhishek Bachchan are in the Guinness Book of World Records for their 2009 movie Paa. History in Indian cinema was indeed created as for the first time a father-son duo played reversed roles.

 

Naam Mein Kya Rakha Hai

Did you know that the Shershah actress, Kiara Advani was first named Alia Advani? She revealed this in an episode of the Kapil Sharma Show. Well, later she changed her name as Salman Khan suggested her to do.

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Did we just miss a Blockbuster?

Before his debut film, Student of the Year, Sidharth Malhotra did a film directed by Anubhav Sinha. Had it not been shelved, the Pippa Munda would have made his entry much earlier.

 

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Saboon mein Khushboon hai, Iss Dil mein ek tu hai!

Though that’s a parody of the Hum Saath Saath Hain title song, the lead and Bhai of Bollywood, Salman Khan is extremely fond of soaps. Yes, you heard it right. Not only does he produce daily soap operas, but Bhai also loves fragrant soap bars.

 

Talented Taapsee

Taapsee Pannu worked as a software engineer before making her film debut and a successful modeling career. She even has a degree in Computer Science Engineering.

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Naam-Kareena

Initially named “Siddhima”, Kareena Kapoor Khan got her name all thanks to Leo Tolstoy and his fiction. While pregnant with her, Kareena Kapoor’s mother read Leo Tolstoy’s Anna Karenina, and that’s when Bebo got her name! This is one of the most intriguing facts about Bollywood Celebs, no cap!

 

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Akshay Hari Om Bhatia

Superstar and fitness freak, Akshay Kumar is quite superstitious irl. Before writing on a paper, he makes sure to head it with “Om”. Man of culture it seems.

 

Age is Just a Number

In a Tamil film, Moondru Mudichu, starred by Rajnikanth, Sridevi was seen to play his stepmom. Well, at that time Sridevi was only 13 years old! 

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The Style Icon

Veteran Actress, Rekha is known to only wear a crimson or chocolate-colored lipstick during her public appearances.

Wait, What?

Deepika Padukone who debuted in the industry with Om Shanti Om, got her first break in a music video titled, ‘Naam Hai Tera’ by none other than Himesh Reshammiya. Well, might be possible that it went unnoticed but would love to see some more such collaborations.

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The Complete Man

One of the World’s top good-looking men, Hrithik Roshan is a huge photography enthusiast and has a big collection of photographs. Even as a child, he would never travel without his camera. 

 

Yeh Pyaar Nahi toh Aur Kya

Indians and their love for movies has always been in the columns. Well, every year the highest number of movie tickets in the world is bought by the Indian audience which is 2.7 billion every year. Since our average ticket price is very low, Bollywood is still a bit behind Hollywood in the revenue game. Koi na Picture abhi baaki hai.

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Well, these were some facts about Bollywood Celebs. But don’t stop from spilling the beans in the comments, if you have got some. Also, let us know in the comments which fact about Bollywood Celebs intrigued you the most!

For more such interesting content, follow us on Instagram and Facebook.

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10 Finest South Indian Films That Showcase The Diversity Of South Indian Cinema

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kalki

An Indian cinephile just cannot afford to miss out on the joy of watching films in any language, whether Hindi, Tamil, Telugu, Malayalam, or Kannada. South Indian films have never failed to meet expectations and have always exceeded them, delivering fascinating and intriguing stories. South Indian films were previously criticised for their over-the-top nature, but now half our best films will be empty if we do not mention South Indian films.

From wonderful stories to exceptional performances, these ten cinematic masterpieces show the range and creativity of South Indian films. Half of these films have already been released and impressed audiences, while the other half promises to showcase something different from the region. Join us as we explore the exciting world of stories that define South Indian films.

10 Finest South Indian Films That Showcase Diversity
Of South Indian Cinema

Jallikattu (2019)

Top 10 South Indian Films: jalabtaru

In an unsettling introduction, this Christian town of short-tempered men is portrayed as a burning herd of overweight carnivores obsessed with their next feast of meat. These contain pork and meat, which are frowned upon or even prohibited in Hindu and Muslim India. Instead, big shafts of hoofed red meat hang aggressively on hooks in the outdoor butcher shop of the grumpy Kalan Varkey (Chemban Vinod Jose). When a large buffalo decides to escape that fate and goes rampant over planted fields, the men of the hamlet are on the hunt, desiring to kill it.

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Lijo Jose Pellissery’s introduction to Jallikattu, with a succession of fast-paced cuts of the major protagonists’ faces and eyes set to a throbbing score intermingled with their controlled breaths, is an unsettling foreshadowing of what’s to come.

Throughout the film, the edits are often too fast to make sense of, giving the impression that you are rushing down the hill in the chase of an unhinged buffalo. It is not an accident, for Lijo’s entire objective here is to disorient, dislocate, and then land a smashing punch on an audience that remains wondering what has just occurred to them.

Jallikattu, not subtly, represents the extreme brutality we have grown used to in the name of being a man. It reflects the sense of masculinity that we have come to accept as a nation. In a story that begins with man against the wild, it isn’t long until man becomes that wild. Jallikattu is often hailed as one of the best South Indian films of all time.

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Jigar thanda Double X (2023)

jigar thanda

Karthik experiments with a lot more dualism in the sequel. To tell a big story, the film unites two completely different worlds: one bursting with shades of orange, red, and brown in the bustling streets of Madurai, and the other soaked in green and orange in the forests of Kombai Sambala.

Karthik Subbaraj released Jigarthanda in 2014, an intriguing meta-gangster film that attempted to combine filmmaking and rowdyism. The film presented the story of a filmmaker who risked his life to make a film about an infamous mobster, and the reliable screenplay was full of surprises and homages to the creative form. After 9 years, a more experienced Karthik returns with Jigarthanda Double X, expanding on everything we identify with the original film.

Karthik’s narrative-heavy sequel combines the inner turmoil of Jigarthanda with the spirit of a spaghetti western, resulting in a political curry western that continuously surprises and is eager to wow with yet another ambitious goal to complete.

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What truly stands out about Jigarthanda Double X is Karthik’s ability to entwine and depict the multiple dualities of the two protagonists as they move between the two universes. The picture alludes to numerous real-life situations, so there’s a lot of fact mixed in with fiction, like in the Quentin Tarantino film Once Upon A Time In Hollywood (2019). There are also parallel frames that separate a gun from a camera and a gun from a weapon of war.

Kirubai is essentially the protagonist, while Caesar is simply a puppet in the situation. Both are narratives of discovering oneself, but one is about conquering fear, while the other is about redeeming the individual from anguish.

Kantara (2022)

kantara

There has been a lot of talk about how Indian cinema has lost connection with its origins and is not finding stories unique to the nation as a whole. This country, with its range of cultures and expansiveness, is an incredible treasure trove of tales. Kantara demonstrates what is possible when an excellent filmmaker decides to bring to life an original story rooted in its very origins and culture, bringing with him the skills and technical elegance of exceptional cinema.

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Kantara is a timeless tale of man versus nature, people versus merchants, and the desire for wealth and property. But it is a lot more complex than that because it effortlessly and seamlessly incorporates parts of South India’s coastal Karnataka culture and mythology into the plot.

Situated amid the rural backdrop of forest products smuggling, actor-producer-Director Rishabh Shetty tells the story of centuries of faith traditions in the coastal region, focusing on the region’s ancestral customs and the enormous backing of the native hamlet concealed in the forest land. He succeeds in methodically conveying a narrative of myths, tales, and superstition, all in his own tongue.

Viduthalai Part 1 (2023)

south movies

In the town of Muthuvel, we’re featuring Kumaresan (Soori), a recruit at a police academy located in a village surrounded by heavy forests near the Tamil Nadu-Karnataka border. Kumaresan, our main character, learns the techniques of the law enforcement officers as well as the Makkal Padai movement led by Perumal, nicknamed Vaathiyaar (Vijay Sethupathi).

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Under the guise of employing hundreds of thousands of disadvantaged individuals, a mining firm, assisted by the authorities in the name of state development, intends to destroy the nature surrounding the village. On the one hand, there are the revolutionaries, who claim to be able to communicate in any language, even violence; on the contrary, we have the authority-led police force, which refers to the separatist organization as a terrorist outfit.

Bramayugam (2024)

south

The visual decision to shoot the entire movie in black and white benefits Bramayugam significantly. The removal of distracting hues and all unnecessary features not only serves to convey to us the very rudimentary 17th-century environment where the film is set but also contributes to the spooky mood that surrounds the run-down family. This idea of simplicity is also represented in the writing, with the majority of the story centered on the three main characters and only a few passages for the two other characters.

The creative depiction of terror in Rahul Sadasivan’s earlier film Bhoothakalam looks to have raised some expectations for Bramayugam. However, this film is intended to be a fantasy/thriller/mystery story with a few somewhat frightening scenes. The apparition of a ‘chaathan’ and a ‘yakshi’ on the screen does little to ease the fear of what is unseen, as we learned in Bhoothakalam.

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Against all of this, the most disturbing part of the film is Potty’s demonic chuckle and deep-throated voice, which are convincingly performed by Mammootty. He approaches the part unlike any other he has portrayed before, though there are hints of Bhaskara Pattelar’s performance in Vidheyan (1994) at times.

Here are most anticipated South Indian Films that are
going to be released in 2024

Pushpa 2: The Rule (2024)

Top 10 South Indian Films: Pushpa 2

Pushpa and Bhanwar Singh’s battle continues in this spectacular conclusion to the two-part South Indian action drama. Pushpa: The Rise—Part 1 was one of the most celebrated films of the year 2021 and had earned over 360 crores.

Indian 2 (2024)

Indian 2 (2024)

Kamal Hassan brings back the franchise of his earlier film, Indian. Senapathy is a former freedom fighter turned vigilante who battles injustice. Senapathy returns to the country to help a young man who has been revealing the corruption in the country through online videos.

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Kaguva (2024)

In 1678, a warrior died as a result of an illness; currently, a girl is conducting a study on the disease that killed the warrior.

Kanguva, also known as Kanguva: A Mighty Valiant Saga, is a forthcoming Indian Tamil-language fantasy adventure movie directed by Siva and developed by K. E. Gnanavel Raja, V. Vamsi Krishna Reddy, and Pramod Uppalapati under the respective banners of Studio Green and UV Creations. The film stars Suriya in six roles, leading an ensemble cast that includes Bobby Deol and Disha Patani (in their Tamil debuts).

Kantara: A Legend Chapter 1 (2024)

Kantara: A Legend Chapter-1 (2024) - Movie | Reviews, Cast & Release Date - BookMyShow

A prequel to the 2022 film Kantara, Kantara 2 is set during the reign of Kadambas of Banavas. Like Kantara, this film will also be directed, produced, and written by Rishabh Shetty. He will also be starring in the lead role.

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Kalki 2898 (2024)

kalki

Starring Prabhas, Deepika Padukone, and Amitabh Bachchan, Kalki 2898 takes place in the aftermath of the apocalypse in the year 2898. It is about the possible future appearance of Kalki, Vishnu’s tenth and last avatar. Kalki 2898 is the most anticipated South Indian movie of the year 2024.

For more engaging entertainment and South Indian film updates, follow us on Instagram and Facebook.

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