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Kaira has insomnia as a result of a series of job and romantic setbacks. She consults Dr. Jehangir Khan, a psychotherapist who treats her in unusual ways. With its superficial humor, sarcasm and detachment, and emotional numbing, modern Indian society look down on vulnerability.

It is encouraging and refreshing to see a popular Bollywood film starring Bollywood actors discuss mental health so that it doesn’t gloss over the finer points.

Dear Zindagi also explores the shortcomings of a ‘family’ that is otherwise wrapped in beauty and placed on a pedestal from which we cannot point out defects. Dear Zindagi, quotes have helped us relate to a whole new level.

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dear zindagi quotes in english

Some films are more than just entertainment; they become catalysts for people to think about life in new ways. One such film is Dear Zindagi.

It is a love letter to life that’s been waiting to be written for a long time. And we’re grateful to director Gauri Shinde for bringing order to the chaos we face daily.

Gauri encourages us all to love our imperfect, messy, and flawed existence in Dear Zindagi. April marks the third anniversary of the film’s debut, so we have compiled a list of some quotes from Dear Zindagi that made us pause and reflect on various aspects of life.

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One of the most relatable Dear Zindagi quotes goes like this:

“Don’t let your past blackmail your present, to ruin your beautiful future”

Success isn’t always about difficult paths. It is not about how much you punish yourself. It is about when you’re determined to undertake it: (from Dear Zindagi quotes)

“Kabhi kabhi hum mushkil rasta sirf is liye chunte hai, kyun ki humein lagta hai, important cheezein paane ke liye humein mushkil rasta apnana chahiye. Apne aap ko punish karna bahut zaroori samajhte hai. But why? Aasaan rasta kyun nahi chun sakte? Kya burai hai us mein? Khaas karke jab us mushkil ka saamna karne ke liye hum taiyaar hi nahi hai!”

A famous scientist, Albert Einstein, once said that one has gone mad when one repeats the same work every day, expecting the result to change.

“Albert Einstein ne kaha tha, pagal woh hota hai joh roz roz same kaam karta hai, magar chahta hai ki nateeja alag ho.”

Accepting your own self is bigger than what others think you to be: (another Dear Zindagi quote)

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“Jab hum apne aap ko achhi tarah samajh lete hai, to dusre kya samajhte hai, it doesn't matter. Not at all!”

One who has the answer to everything isn’t a genius. One that has the patience to do everything is:

“Genius woh nahi hota jiske paas har sawaal ka jawab ho, Genius woh hota hai jiske paas har jawaab tak pahunchne ka patience ho!”

You need to cry openly to laugh selflessly: (another excerpt from Dear Zindagi quotes in Hindi)

“Tum agar khul ke ro nahi sakogi, toh khul kar hass kaise paogi!”

A habit that has developed over time should be thought over and over again because a genius should know when to stop it:

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“Zindagi mein jab koi pattern banta ya koi aadat banti dikhai de na, toh uske baare mein achhi tarah se sochna chahiye, genius is about knowing when to stop.”

The steering wheel of your car, aka Life, should be in control of you. Otherwise, some other driver can take hold of it:

“Agar hum apni zindagi ka steering wheel apne haath mein nahi lenge na, toh koi doosra driver seat par baith jayega.”

We always seek options before selecting a chair. Then why can’t that apply for life partners as well?

“Hum itni kursiyan dekhte hai ek khareedne se pehle phir apna life partner choose karne se pehle opyions dekhne mein kya problem?”

Dear Zindagi, quotes in Hindi are quite beautiful too.

Life is similar to a jigsaw puzzle. People are like the missing pieces and can only help you connect. But you, only you, can complete it! (relatable Dear Zindagi quotes)

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“Zindagi Ek jigsaw puzzle ki Tarah hai; mere Jaise log us puzzle ke khoye hue tukde, sirf dhoondne aur jodne mein madad kar sakte hai, par only you can complete the puzzle!”

Some instances of exemplary Dear Zindagi Quotes in English are as follows:

Maturity comes in unknown ways and losing friends while growing up is one of them:

“Losing friends as you grow up is a sign of growing up.”

To feel safe, you need to let go of your fears

“Safe feel karne ke liye pehle saare dar mitana zaroori hai!“

Every individual’s life is like a rollercoaster ride with numerous ups and downs, but how we recover from our setbacks is entirely up to us.

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“We are the creators of our destiny and the destroyers of our lives; it is all in our hands,” a famous personality once stated. If we become stranded in a predicament, we have one special person who always acts as our mentor or guide and rides our boat to the beach; everyone needs someone to save them at some point in their lives. In the film Dear Zindagi, Kaira (Alia Bhatt) was in a similar circumstance, and Dr. Jahangir Khan (Shahrukh Khan) came to her rescue by teaching her some crucial life lessons. It is one of the exceptional Dear Zindagi Quotes in English.

dear zindagi quotes in hindi

We have learned all the wrong ways of expressing emotions. How can we expect to express love when the entire concept of emotion is fouled.

“Bachchpan main jab rona aata hai, toh bade bolte hai aasun pocho. Jab gussa aata hai, toh bade kehte hai smile taaki ghar ki shanti bani rahe. nafrat karna chahe, toh ijazat nahi di. And jab pyaar karna chahe, toh pata chala ye saala emotional system hi gadbada gaya, kaam nahi kar raha, cannot function. Rona, gussa, nafrat kuch bhi khul ke express nahi karne diya. Ab pyaar kaise express kare?”, from (Dear Zindagi quotes)

Even the songs give us a sense of positivity: Dear Zindagi quotes in the form of songs.

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“Jo dil se lage

Usey keh do Hi, Hi, Hi

Jo dil na lage

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Usey keh do bye, bye, bye

Aane do, aane do

Dil mein aa jaane do

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Keh do muskurahat ko

Hi, Hi, Hi, Hi

Jaane de, jaane do

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Dil se chale jaane do

Keh do ghabrahat ko

Bye, bye, bye, bye, bye, bye…

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Love you Zindagi

Love you Zindagi

Love you Zindagi

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Love me Zindagi.”

Gauri Shinde returns with Dear Zindagi, a female protagonist-centered story that tries to unsettle tropes in our judging society four years after her well-received debut with English Vinglish. Dear Zindagi, quotes are relatable on a whole different level and way. They are bound to motivate you.

Dear Zindagi quotes, starring Alia Bhatt and Shah Rukh Khan as her psychiatrist, is about Kaira (Alia), an ambitious cinematographer who works on minor advertising and projects but dreams of shooting a full-length feature film. Kaira’s confident banter and hands-on body language in the opening segment inform us that she is very talented and knows her profession well.

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dear zindagi songs

However, she is unsure if she is being offered a big break in a feature film because of her talent or because one of the co-producers finds her attractive. Raghuvendra (Kunal Kapoor), the co-producer, is also the one with whom Kaira is having an affair with her present boyfriend, Sid (Angad Bedi).

Soon, we learn about Kaira and her issues: a career woman who isn’t sure if she should be grateful for her talent or hunt for possibilities, and one who is struggling with heartbreak when a gentleman dumped her for another female.

After being evicted by her landlord because “she is single,” she decides to return to her hometown of Goa. Because she has a tense relationship with her parents, the prospect of living with them makes her even sadder. It sounds like something I might relate to. Kaira decides to meet a ‘dimag ka doctor called DD’ to help her deal with everything.

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When Shah Rukh Khan walks into the scene, the frame is filled with his charisma and charm. The psychiatrist who treats Shah Rukh is kind, charming, and amusing. The film then follows Kaira’s sessions with Dr. Jehangir Khan or Jug, who gives her advice on life, relationships, dealing with one’s feelings, and keeping happy, among other things. It may have been as inspiring and compelling a story as Gauri’s debut (Sridevi-starrer English Vinglish), but it lags far short.

Kaira’s description of her own anxieties and flaws to Jug is surreal. Cliches abound in the discourse, which does not come off as natural. It is a tough fight to make it sound believable with Dear Zindagi quotes like a stoned character stating, “Genius wo nahi hota jiske paas sab sawaal ke jawaab hon, genius wo hota hai jiske paas jawaab tak pahunchne ka patience ho,” or a psychiatrist saying “We are all our own teachers in the school of life.”

There is a lot of banter that is supposed to be deep and philosophical in the film but is just plain, shallow banter. On the other hand, Gauri shows off her talent in her second picture, portraying a professionally strong and straightforward female protagonist who isn’t afraid to inform her partner that she cheated on him and even apologizes.

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The film also marks another milestone in Bollywood filmmaking, as practically the whole plot is placed within the confines of a psychiatrist’s office, shattering stereotypes about mental illness. The best part is that Kaira isn’t depressed; she just went to the therapist since she hadn’t slept in three days.

dear zindagi Quotes

Alia confronts her family near the end of the film and talks about all the concerns she has been battling – a scene that is eerily similar to one from Imtiaz Ali’s Highway (2014). Alia is equally at ease as a clever professional and as a scared young girl.

While Aditya, Kunal, and Ali Zafar, who play her loves or boyfriends, are more like guest performers than fully fleshed-out characters, Kunal Kapoor stands out among the youngsters and portrays his role with finesse. Shah Rukh Khan contributes his charisma and experience to the part, and Jug’s wits make him unique.

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However, the storyline and language detract from the film’s overall excellence. Another aspect that did not work is when Kaira needs yet another love relationship to fall back on, despite the film’s overall message that romance isn’t the be-all and end-all in life.

This might have been a magnificent “slice-of-life” picture with various themes to be commended if Gauri had brought better-etched characters and dived further into the inner turmoils of her hero. She finishes up with a film that “could-have-been-amazing.”

Yet one of the most encouraging aspects of Gauri Shinde’s film—her second following the critically acclaimed English Vinglish in 2012—is its emphasis that seeing a shrink isn’t unusual. Kaira is seeking therapy because she is having difficulties sleeping, not because she is depressed or hearing voices. She urges her frightened home help over Skype to think of Jug as a dimaag ka doctor, someone to whom they can confide their issues.

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dear zindagi English Quotes

She questions her family why It is appropriate to state you’re seeing a doctor but not a mental health specialist in a more heated moment. It is a minor setback, but the thousands of Indians seeking psychiatric assistance will likely be glad for a film articulating these issues’ common truths.

Dear Zindagi takes its time putting its main character on the couch. We learn that Kaira is cheating on her lover, Sid (Angad Bedi), with a coworker, Raghu (Kunal Kapoor), whom she loves but keeps at arm’s length in the film’s opening sequence, which takes place in Mumbai. She flees both relationships and travels to Goa, where she becomes entangled in an equally tense tug-of-war with her overly anxious parents.

It is not often that a Hindi film features a sexually liberated, commitment-phobic, parent-averse female character. When Jug inquires about Kaira’s lovers, she suddenly snaps, accusing him of mentally slut-shaming her (One of Khan’s best scenes in the film is his agonized reaction.)

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There is not much that upsets Dear Zindagi’s calm surface, notwithstanding a few well-worked-out traumas. I understand the need to portray Kaira, a budding cinematographer, as more than capable, but having her advise a director on reshooting his final sequence and appreciating the advice is such far-fetched borders on science fiction.

dear zindagi Hindi Quotes

A token gay character whose single big scene appears to exist solely demonstrates Kaira’s calm demeanor. Goa appears to be both attractive and uninteresting, like a picture postcard. The photography of Laxman Utekar is slick and impersonal, and the music of Amit Trivedi is uninspiring and overused.

At moments, we wished the movie would swerve a little more. Another film about family secrets, Kapoor & Sons, was another Dharma movie that didn’t let its scenic setting or devastatingly pretty cast stand in the way of unpleasant confrontation. One such explosion appears in Dear Zindagi, but It is clumsily written and serves primarily as an opportunity for Alia to make a huge shout scene. Shinde tries a few new Bollywood tactics, such as interspersing songs with short sequences, but there’s little to get the pulse beating, let alone increase it.

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Some of the selections are just plain ridiculous, such as the one who says “Lebanese” when he means “lesbian,” or the man who says “Lebanese” when he means “lesbian,” is the scene in which Kaira, enraged by Raghu, smashes ragu bottles.

In the midst of it all, Bhatt shines. The small decisions she makes within situations, like toying with the furniture or twitching her lip, make her such a captivating actor. Shah Rukh Khan carries the character of Jug with star power, yet his mountaineer narrative pales in comparison to his co-star talking about herself in the third person earlier in the sequence.

Bhatt has a rare capacity to make her characters’ emotional judgments appear as if they came to her spontaneously. To put it another way, she gives the idea that she’s winging it, which makes even the most mundane moments she’s in really thrilling.

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Alia, who is sad, bites on a green chili in a scene from the film. “The chili is pungent,” she remarks to her best friend Fatima (Ira Dubey) as her eyes glaze over. Tears, stupid anxieties, and frailties are all a part of life. So we pretend to be brave. This is essentially the message that writer-director Gauri Shinde’s second directorial picture conveys in the Dear Zindagi dialogue.

Unlike her debut film, English Vinglish, which hit the target discreetly, the message is pounded home. Of course, some of the work is worthwhile. There are several amusing and witty one-liners. Many comparisons have been created to explain the plethora of relationships encountered in today’s fast-paced metropolitan life.

Some of it will make you laugh, while others will make you cry. So far, everything has gone well. The first half of the film, on the other hand, rambles and makes you restless. Things start to look better right before intermission when SRK makes an entrance without his usual outstretched arms.

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As previously stated, Alia’s protagonist flits from Raghuvendra (Kunal) to Sid (Angad) and then to Rumi like a butterfly (Ali). There’s also a backstory to explain why she’s so messed up. To be honest, her angst bites a little, but not fully.

Alia takes an appointment with SRK, a DD (dimaag ka doctor) in Goa, to figure out why she is the way she is. She can express her anxieties while sitting on his couch. The video helps the audience to confront some of their worries as he methodically gathers up the pieces of her past and ‘pieces’ her together. So It is not all for naught.

Alia, who is one of the better actors of her generation, gives a well-balanced performance. And SRK, in his sober persona, tempts you to seek out a therapist with his limitless gyaan. This film could help you do some soul-searching this weekend if you’re in the mood.

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In Basu Chatterjee’s Chhoti Si Baat, a shy Amol Palekar received love lessons from Ashok Kumar to assert himself and his ardor for Vidya Sinha in 1975. In Nikhil Advani’s Kal Ho Naa Ho, an angelic Shah Rukh Khan strolled into the picture in slow motion, flashed his dimples, spread his arms, and restored color to Preity Zinta’s drab life.

In Gauri Shinde’s Dear Zindagi, SRK reprises his role as Dr. Jehangir Khan, who helps Kaira sort out her complicated relationships (Aalia Bhatt). Only Shinde uses the terrible T-word — therapy — to explain things, which many of us, like Kaira, may sorely need in our urban loneliness and breakdowns but are unwilling to seek.

Shinde may not be at the top of her game in Dear Zindagi, but by casting Bhatt and SRK in important roles, she wins a significant portion of the war. Despite the film being a “talkie” with a little diversion from the extended dialogues, the give and go between the two leads feels effortless (even if the writing feels clunky) and keeps the audience interested.

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You laugh and cry with Bhatt’s Kaira, and at moments you just want to reach out and give her a big embrace, comforting her that everything will be fine. SRK has a sexy (for lack of a better word) beard (which he should have in every film from now on), lets his greys play peek-a-boo (two thumbs up), and wears a fantastic range of cotton and linen shirts and trousers (men of a particular vintage look great in them) but becomes purposefully quiet in his body lingo rather than being the bundle of energy that he usually is; exhibits deliberate pain in his eyes rather than being perpetually cheery.

That’s a great avatar for him to have progressed to, visually speaking, for us senior citizen women. Hopefully, some restless young ones will agree and miss a heartbeat, particularly after hearing his performance of the Italian opera.

The Dear Zindagi dialogue is rarely natural, and it frequently devolves into triteness. Lines like “every damaged thing can be mended” (really! ), “don’t allow the past blackmail the present to harm a lovely future” (oh, so long-winded!), and “don’t let the past blackmail the present to ruin a beautiful future” (oh, so long-winded!) and why we select the more difficult path even when there is an easier choice (is there one?).

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On the other hand, the writing appears to be well-tied to SRK’s sense of humor at moments. When Kaira admits that life is an endless musical when it comes to the new singer guy in her life, SRK’s Dr. Khan responds with a lighthearted remark: “Aur tumhein to conversation pasand hain (You adore dialogues).” When he says, “We are all our own, teachers in the school of life” and then come back with “ye kuchh zyada heavy ho gaya (It is too heavy-handed)”.

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7 Best Indian Sitcoms That Are Worth Watching

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Top 7 Indian Sitcoms

Sitcoms have continuously been a well-known genre among audiences all over the world, and India is no special case. The Indian TV industry has delivered a few of the most famous Indian sitcoms that have engaged and brought giggling to Indian families. They offer a reviving break from the everyday schedule and give much-needed quantities of excitement.

We have compiled a list of some of the most excellent Indian sitcoms that have earned a gigantic fan base and are worth observing.

7 Best Indian Sitcoms That Are Worth Watching

Taarak Mehta Ka Ooltah Chashmah

Tarak mehta ka ulta chasma

Possibly the most popular of all the sitcoms. The show revolves around the lives of families dwelling in a society in Mumbai called Gokuldham. The show creatively incorporates social issues and conveys them with a squeeze of humor. The show’s characters are a representation of a perfect society, with a different bunch of individuals from distinctive societies, religions, and foundations.

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The show is known for its humor and relatable characters. The show has completed more than a decade and is still one of the most-watched and cherished sitcoms in India.

Bhabhiji Ghar Par Hai

Bhabiji Ghar par Hai

The show revolves around the lives of two neighboring couples, the Mishras and the Tiwaris. The show has picked up immense popularity in the years since its initiation. The show is known for its humor and silly circumstances. The show’s characters, like Vibhuti Mishra and Angoori Bhabhi, have ended up being fan favorites. The show was inspired by the 1990s Hindi sitcom Shrimaan Shrimati.

Sarabhai vs Sarabhai

Sarabhai vs sarabhai

Sarabhai vs. Sarabhai could be a cult classic Hindi sitcom circling in the early 2000s. The show spun around the life of an upper-class Gujarati family, the Sarabhais. The show was known for its witty one-liners and entertaining circumstances. The show’s characters, like Maya Sarabhai and Rosesh Sarabhai, are still remembered by the audience for their unique identities. The humor is unpretentious, and the show may be a cult classic among fans.

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Khichdi

khichadi

Khichdi is another classic Hindi sitcom that debuted in the early 2000s. The show revolved around the life of a quirky and broken Gujarati family, the Parekhs. The show was known for its quirky characters and unconventional circumstances. The humor of the appearance is special and relatable. A film based on the show was also released in 2010.

Office Office

Office Office

Office Office may be a parody of the corruption that exists in Indian government workplaces. The show revolves around Mussaddilal, played by Pankaj Kapur, who is continuously stuck within the bureaucratic maze of Indian government workplaces. Each scene showcased how common individuals were betrayed by degenerate officials and how they battled for equity.

F.I.R.

fir

F.I.R. is another sitcom that was a hit with gatherings of people. The show featured Kavita Kaushik as inspector Chandramukhi Chautala, who unraveled different cases with an amusing turn. The show was adored for its droll humor and the camaraderie between the characters.

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Chidiya Ghar

Chidiya Ghar

Chidiya Ghar spins around a retired principal, Kesari Narayan, who lives in a house named Chidiya Ghar along with his family, where everybody is named after a specific creature. Each part has a characteristic that comes about under a few silly circumstances. The show was known for its funniness and characters such as Mayuri, Koyal, and, in particular, Gadha Prasad, whose tricks made most of the snickers within the show.

These sitcoms have captured the hearts of millions of viewers and continue to engage with their ageless humor and relatable characters. They have made us snicker, cry, and feel nostalgic and affectionate for the characters and recollections they have given us.

For more engaging entertainment and Bollywood updates, follow us on Instagram and Facebook.

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12 Awesome Facts about Bollywood Celebs For Your Filmy And Gossipy Soul

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12 Awesome Facts about Bollywood Celebs For Your Filmy And Gossipy Soul

Bollywood superstars are literally worshipped in India for their charm, glamour and rizz. Often they are idolised for the “perfect characters” they play on screen, and in a country like India, most believe in what they are shown on screen. Legit facts about Bollywood celebs are often found but clubbed with rumors or at times as a publicity stunt(Sorry, Poonam Pandey). Ngl, the B-Town gossip may feel weird, but Sunke Mazaa toh ata hai! 

Tabhi toh, why not turn our spy mode on and find some facts about Bollywood celebs just for you? If you are a crazy Bollywood fan or love binge-watching Bigg Boss secretly, this is for you. Presenting to you 12 Awesome Facts about Bollywood Celebs For Your Filmy And Gossipy Soul.

FYI, with these facts about Bollywood celebs, we aren’t spilling any beans. We are obsessed with their interviews!

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Records Todne mein toh Hum Tumhare Baap hai!

Besides being one of the most celebrated families of Bollywood, Big B and son Abhishek Bachchan are in the Guinness Book of World Records for their 2009 movie Paa. History in Indian cinema was indeed created as for the first time a father-son duo played reversed roles.

 

Naam Mein Kya Rakha Hai

Did you know that the Shershah actress, Kiara Advani was first named Alia Advani? She revealed this in an episode of the Kapil Sharma Show. Well, later she changed her name as Salman Khan suggested her to do.

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Did we just miss a Blockbuster?

Before his debut film, Student of the Year, Sidharth Malhotra did a film directed by Anubhav Sinha. Had it not been shelved, the Pippa Munda would have made his entry much earlier.

 

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Saboon mein Khushboon hai, Iss Dil mein ek tu hai!

Though that’s a parody of the Hum Saath Saath Hain title song, the lead and Bhai of Bollywood, Salman Khan is extremely fond of soaps. Yes, you heard it right. Not only does he produce daily soap operas, but Bhai also loves fragrant soap bars.

 

Talented Taapsee

Taapsee Pannu worked as a software engineer before making her film debut and a successful modeling career. She even has a degree in Computer Science Engineering.

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Naam-Kareena

Initially named “Siddhima”, Kareena Kapoor Khan got her name all thanks to Leo Tolstoy and his fiction. While pregnant with her, Kareena Kapoor’s mother read Leo Tolstoy’s Anna Karenina, and that’s when Bebo got her name! This is one of the most intriguing facts about Bollywood Celebs, no cap!

 

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Akshay Hari Om Bhatia

Superstar and fitness freak, Akshay Kumar is quite superstitious irl. Before writing on a paper, he makes sure to head it with “Om”. Man of culture it seems.

 

Age is Just a Number

In a Tamil film, Moondru Mudichu, starred by Rajnikanth, Sridevi was seen to play his stepmom. Well, at that time Sridevi was only 13 years old! 

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The Style Icon

Veteran Actress, Rekha is known to only wear a crimson or chocolate-colored lipstick during her public appearances.

Wait, What?

Deepika Padukone who debuted in the industry with Om Shanti Om, got her first break in a music video titled, ‘Naam Hai Tera’ by none other than Himesh Reshammiya. Well, might be possible that it went unnoticed but would love to see some more such collaborations.

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The Complete Man

One of the World’s top good-looking men, Hrithik Roshan is a huge photography enthusiast and has a big collection of photographs. Even as a child, he would never travel without his camera. 

 

Yeh Pyaar Nahi toh Aur Kya

Indians and their love for movies has always been in the columns. Well, every year the highest number of movie tickets in the world is bought by the Indian audience which is 2.7 billion every year. Since our average ticket price is very low, Bollywood is still a bit behind Hollywood in the revenue game. Koi na Picture abhi baaki hai.

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Well, these were some facts about Bollywood Celebs. But don’t stop from spilling the beans in the comments, if you have got some. Also, let us know in the comments which fact about Bollywood Celebs intrigued you the most!

For more such interesting content, follow us on Instagram and Facebook.

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10 Finest South Indian Films That Showcase The Diversity Of South Indian Cinema

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kalki

An Indian cinephile just cannot afford to miss out on the joy of watching films in any language, whether Hindi, Tamil, Telugu, Malayalam, or Kannada. South Indian films have never failed to meet expectations and have always exceeded them, delivering fascinating and intriguing stories. South Indian films were previously criticised for their over-the-top nature, but now half our best films will be empty if we do not mention South Indian films.

From wonderful stories to exceptional performances, these ten cinematic masterpieces show the range and creativity of South Indian films. Half of these films have already been released and impressed audiences, while the other half promises to showcase something different from the region. Join us as we explore the exciting world of stories that define South Indian films.

10 Finest South Indian Films That Showcase Diversity
Of South Indian Cinema

Jallikattu (2019)

Top 10 South Indian Films: jalabtaru

In an unsettling introduction, this Christian town of short-tempered men is portrayed as a burning herd of overweight carnivores obsessed with their next feast of meat. These contain pork and meat, which are frowned upon or even prohibited in Hindu and Muslim India. Instead, big shafts of hoofed red meat hang aggressively on hooks in the outdoor butcher shop of the grumpy Kalan Varkey (Chemban Vinod Jose). When a large buffalo decides to escape that fate and goes rampant over planted fields, the men of the hamlet are on the hunt, desiring to kill it.

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Lijo Jose Pellissery’s introduction to Jallikattu, with a succession of fast-paced cuts of the major protagonists’ faces and eyes set to a throbbing score intermingled with their controlled breaths, is an unsettling foreshadowing of what’s to come.

Throughout the film, the edits are often too fast to make sense of, giving the impression that you are rushing down the hill in the chase of an unhinged buffalo. It is not an accident, for Lijo’s entire objective here is to disorient, dislocate, and then land a smashing punch on an audience that remains wondering what has just occurred to them.

Jallikattu, not subtly, represents the extreme brutality we have grown used to in the name of being a man. It reflects the sense of masculinity that we have come to accept as a nation. In a story that begins with man against the wild, it isn’t long until man becomes that wild. Jallikattu is often hailed as one of the best South Indian films of all time.

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Jigar thanda Double X (2023)

jigar thanda

Karthik experiments with a lot more dualism in the sequel. To tell a big story, the film unites two completely different worlds: one bursting with shades of orange, red, and brown in the bustling streets of Madurai, and the other soaked in green and orange in the forests of Kombai Sambala.

Karthik Subbaraj released Jigarthanda in 2014, an intriguing meta-gangster film that attempted to combine filmmaking and rowdyism. The film presented the story of a filmmaker who risked his life to make a film about an infamous mobster, and the reliable screenplay was full of surprises and homages to the creative form. After 9 years, a more experienced Karthik returns with Jigarthanda Double X, expanding on everything we identify with the original film.

Karthik’s narrative-heavy sequel combines the inner turmoil of Jigarthanda with the spirit of a spaghetti western, resulting in a political curry western that continuously surprises and is eager to wow with yet another ambitious goal to complete.

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What truly stands out about Jigarthanda Double X is Karthik’s ability to entwine and depict the multiple dualities of the two protagonists as they move between the two universes. The picture alludes to numerous real-life situations, so there’s a lot of fact mixed in with fiction, like in the Quentin Tarantino film Once Upon A Time In Hollywood (2019). There are also parallel frames that separate a gun from a camera and a gun from a weapon of war.

Kirubai is essentially the protagonist, while Caesar is simply a puppet in the situation. Both are narratives of discovering oneself, but one is about conquering fear, while the other is about redeeming the individual from anguish.

Kantara (2022)

kantara

There has been a lot of talk about how Indian cinema has lost connection with its origins and is not finding stories unique to the nation as a whole. This country, with its range of cultures and expansiveness, is an incredible treasure trove of tales. Kantara demonstrates what is possible when an excellent filmmaker decides to bring to life an original story rooted in its very origins and culture, bringing with him the skills and technical elegance of exceptional cinema.

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Kantara is a timeless tale of man versus nature, people versus merchants, and the desire for wealth and property. But it is a lot more complex than that because it effortlessly and seamlessly incorporates parts of South India’s coastal Karnataka culture and mythology into the plot.

Situated amid the rural backdrop of forest products smuggling, actor-producer-Director Rishabh Shetty tells the story of centuries of faith traditions in the coastal region, focusing on the region’s ancestral customs and the enormous backing of the native hamlet concealed in the forest land. He succeeds in methodically conveying a narrative of myths, tales, and superstition, all in his own tongue.

Viduthalai Part 1 (2023)

south movies

In the town of Muthuvel, we’re featuring Kumaresan (Soori), a recruit at a police academy located in a village surrounded by heavy forests near the Tamil Nadu-Karnataka border. Kumaresan, our main character, learns the techniques of the law enforcement officers as well as the Makkal Padai movement led by Perumal, nicknamed Vaathiyaar (Vijay Sethupathi).

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Under the guise of employing hundreds of thousands of disadvantaged individuals, a mining firm, assisted by the authorities in the name of state development, intends to destroy the nature surrounding the village. On the one hand, there are the revolutionaries, who claim to be able to communicate in any language, even violence; on the contrary, we have the authority-led police force, which refers to the separatist organization as a terrorist outfit.

Bramayugam (2024)

south

The visual decision to shoot the entire movie in black and white benefits Bramayugam significantly. The removal of distracting hues and all unnecessary features not only serves to convey to us the very rudimentary 17th-century environment where the film is set but also contributes to the spooky mood that surrounds the run-down family. This idea of simplicity is also represented in the writing, with the majority of the story centered on the three main characters and only a few passages for the two other characters.

The creative depiction of terror in Rahul Sadasivan’s earlier film Bhoothakalam looks to have raised some expectations for Bramayugam. However, this film is intended to be a fantasy/thriller/mystery story with a few somewhat frightening scenes. The apparition of a ‘chaathan’ and a ‘yakshi’ on the screen does little to ease the fear of what is unseen, as we learned in Bhoothakalam.

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Against all of this, the most disturbing part of the film is Potty’s demonic chuckle and deep-throated voice, which are convincingly performed by Mammootty. He approaches the part unlike any other he has portrayed before, though there are hints of Bhaskara Pattelar’s performance in Vidheyan (1994) at times.

Here are most anticipated South Indian Films that are
going to be released in 2024

Pushpa 2: The Rule (2024)

Top 10 South Indian Films: Pushpa 2

Pushpa and Bhanwar Singh’s battle continues in this spectacular conclusion to the two-part South Indian action drama. Pushpa: The Rise—Part 1 was one of the most celebrated films of the year 2021 and had earned over 360 crores.

Indian 2 (2024)

Indian 2 (2024)

Kamal Hassan brings back the franchise of his earlier film, Indian. Senapathy is a former freedom fighter turned vigilante who battles injustice. Senapathy returns to the country to help a young man who has been revealing the corruption in the country through online videos.

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Kaguva (2024)

In 1678, a warrior died as a result of an illness; currently, a girl is conducting a study on the disease that killed the warrior.

Kanguva, also known as Kanguva: A Mighty Valiant Saga, is a forthcoming Indian Tamil-language fantasy adventure movie directed by Siva and developed by K. E. Gnanavel Raja, V. Vamsi Krishna Reddy, and Pramod Uppalapati under the respective banners of Studio Green and UV Creations. The film stars Suriya in six roles, leading an ensemble cast that includes Bobby Deol and Disha Patani (in their Tamil debuts).

Kantara: A Legend Chapter 1 (2024)

Kantara: A Legend Chapter-1 (2024) - Movie | Reviews, Cast & Release Date - BookMyShow

A prequel to the 2022 film Kantara, Kantara 2 is set during the reign of Kadambas of Banavas. Like Kantara, this film will also be directed, produced, and written by Rishabh Shetty. He will also be starring in the lead role.

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Kalki 2898 (2024)

kalki

Starring Prabhas, Deepika Padukone, and Amitabh Bachchan, Kalki 2898 takes place in the aftermath of the apocalypse in the year 2898. It is about the possible future appearance of Kalki, Vishnu’s tenth and last avatar. Kalki 2898 is the most anticipated South Indian movie of the year 2024.

For more engaging entertainment and South Indian film updates, follow us on Instagram and Facebook.

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